Initial Ideas

Initial Ideas – FMP Project Choice
In arriving at my final idea for my FMP, my thought process can be divided into 3 sections really:
-
My thoughts and plans before coronavirus lockdown
-
My first thoughts and brainstorming when coronavirus lockdown started
-
My revised and final thoughts and FMP decision
So, I will explain my thought processes for each section in turn.
Section 1 - My thoughts and plans before coronavirus lockdown.
For all my projects this year, even though we each had to create and shoot our own film, I have enjoyed working in a team to help each other by being cast and crew for each other's films. We have a good group who have developed, from our first films from being not as professional as we could have been, into a very organised, professional team. Before there had been any suggestion of college shutting, it had thus been an obvious assumption for me that we could again all help each other by being cast and crew, and this was what my initial planning had included. Hence, my first ideas had been
-
Fiction film – Camping in the woods. With no dialogue. Pros – Let me show off my cinematography, lighting and story-telling with a camera without words, bit of comedic twist (which I like doing) (Mr Bean) Downsides are time consuming and need certain times of the day for setting the scene, i.e. night-time for fire shot, early morning for sunrise, could be difficult to get the cast and crew together so many times. I wondered about actually camping somewhere for a few days with a few friends to film this, but I realised that all of us would be hard at work on our FMPs so trying to get our group together for a few days to camp could be unrealistic.
For example, some shot ideas that I had for the main part of the film was that as the main character is packing up his tent the wind blows it away into a tree - we see it being blown away off screen, him running off screen after it then the next shot is a high angle looking down at him looking up, with an out of focus branch just in shot as a hint of what has happened. Then a long shot including the back of him so that you can now see the tent in the tree with him on the ground. Then it would cut (not fade) to him trying to jump and grab the tent. The shots from here would involve the camera being stationary on a tripod in the same position. Then another cut to him trying to climb the tree, he falls out, then he walks off screen, cut, walks back on screen with a ladder, but that is too unstable. Cuts to him trying to throw a rope to get the tent down. The cuts, rather than fades, are to show that amounts of time are passing in between these shots, which I felt would add to the comedic effect better than fades, in the same way that having the camera stationary showing a fixed frame that he walks in and out of and we don’t see what is going on out of shot from then on would add to the comedic effect since knows what he is going to get (e.g. the ladder) but we don't. It is the opposite of Dramatic Irony (also known as Audience Superior Knowledge), it is Audience Inferior Knowledge and can add to the comedy effect. There may be other shots after this but it would end with a cut to him reversing his car towards the tree, cut to him standing on top of his car getting his tent down, then cuts to a medium close up of him happy that he has his tent back.
-
Fiction film – A Chase Scene. Since the start of this course, I have been fascinated by camera movement in films and TV and I thought this would be a good way to incorporate them in a fiction film. I wanted to practise more with the College Laing p-4s stabilizer (Steadicam), or maybe get a camera gimbal myself (my parents are buying me some filming equipment for my 18th Birthday), use the College Slider and see what other types of camera movement would be appropriate to make a chase scene look professional and exciting. I was looking forward to learning much more about camera movement, how to do it, the effect it has, and why directors chose to use it at what points and when/why they chose not to use it too.
-
Promotional Video – the Exam Centre (Tutors and Exams, Coventry) where I sat my GCSEs, knowing that I was going to be studying Creative Media Technology and Production, has asked me to do a promotional video for them, once I have learnt enough techniques.
I had settled on the Chase scene using camera movement techniques. I really liked the idea of the camping trip/losing his tent idea, and I think it would make an entertaining film. However, I felt that the chase scene would allow me to really develop my knowledge of camera movement as an increasingly useful technique. I felt it is very relevant to what I would like to go into in the Film Industry, since ultimately I would like to become a director, and the path that I would like to take to get there is a technical route of cinematography. So developing my knowledge of camera movement techniques would be useful for that, and I felt that it would allow for a deeper and more challenging FMP, with further reaching usefulness than the Camping Film.
I ruled out the promotional video for the exam centre since, although I would like to do this for them sometime, right now is (or was going to be, before coronavirus) the middle of their busiest time of the year, exam season. I would still like to do the promotional video for them sometime, and some footage of exam season would be useful, but I felt that I need to get footage throughout the year to show the progression to be a really useful video for them. They weren't in a rush, so I think it is better to use the knowledge I have been gaining this year, and will gain through doing my FMP, to make a really good video for them at a time that suits them better.
So, I had decided on the chase scene. Then along came coronavirus and lockdown, which I talk about in my first blog entry.
Section 2 - My first thoughts and brainstorming when coronavirus lockdown started
In my blog, I also discuss how I felt I needed to rethink my idea in the light of coronavirus and lockdown. As I talk about in my first blog entry, I used the extract that my tutor, Tom had sent from the book called "On Being a Photographer" by David Hurn in conversation with Bill Jay, (Hurn and Jay, 2001) about choosing a subject for a Photography Project.
Following the process that I explain in my first blog entry, I came up with the following 5 topics.
-
D&D (the fantasy role playing quest game Dungeons and Dragons) - How D&D is helpful in real life particularly when it extends into being online. Informative video.
-
Scouting – I am an Explorer Scout and was selected to go to West Virginia last summer to the World Scout Jamboree with around 45,000 scouts from around the world, it was amazing.
-
Stop Frame Animation – I have done some Stop Frame Animation and it is a process that I am interested in.
-
Camping – I guess this ties in with scouting but I like camping generally, not just with scouts and spent nearly all my summer holiday last year camping.
-
Star Wars – who doesn't like Star Wars?
A limitation that I felt I had was that I generally think I prefer to film fiction, but you do need at least one actor for that, and preferably more. My tutor Tom suggested that I could use my parents, but neither of them felt very comfortable being in front of the camera, acting. They had offered to crew for me, so I felt it was better to go with that, since it was kind of them to offer that.
You may wonder why I didn't just decide to act myself in my film, in order to be able to do a fiction film. Well, that's because although I am happy to help out my friends by acting in their films, I'm not actually that comfortable with doing it myself either. I much prefer being behind the camera. I joke about being the best actor, but I actually don’t think that I am a very good actor. So I decided that if I am going to have to be in front of the camera then I would rather it was as myself, rather than trying to act. I'd prefer to focus as much as I can on what I feel are my strengths, e.g. setting up shots etc. This meant that I was mainly looking at documentary style filming under these circumstances.
So I kept my list to things that I felt I could do something with film-wise.
For example,
Scouting, I could focus on the World Scout Jamboree and try to do online interviews with scouts from around the world about their experience. But I wasn't convinced that I could get the quality of footage that I would want by using zoom etc. I know the content is just as important, but I thought there were better ideas, so I ruled this one out.
Stop Frame Animation, I liked it when I did it, and of course I could have made it fiction. I would definitely like to do some more of it, but I felt that for my FMP I wanted to get out and film something in real time if possible.
Camping, I could do a documentary about our family and camping, since we have camped for many years, and my parents have camped since they first got together. I could interview them (that may be preferable to them than getting them to act) and it would mean that I could film in real life. It was a definite possibility. But a problem that I could see was who is the intended audience? Who really is interested in my family's camping holidays?
Star Wars, I thought maybe I could do a documentary about the history of Star Wars (using some clips from online), how I got into it e.g. Lego when I was young, then Star Wars Lego games on the Wii and finally the actual films. There are definitely more people who are interested in Star Wars than would be interested in my family camping. But there is so much already on the internet about Star Wars that I couldn’t think how I could make it novel, new, and still interesting. And yes I do know quite a lot about Star Wars, but not as much as many other people.
So that brought me to D&D, which I am passionate about. I thought that maybe I could do an informative video about how the skills that you gain in D&D can actually be helpful in real life. This is something that I am interested in, and there is a huge audience out there for all things D&D. Fans and Players like lots of different angles on D&D so maybe that would let me have novel and new content. This felt like the best option out of the 5, so I decided to go with it.
However…
Section 3 – My revised and final thoughts and FMP decision
I explain in my first and second blogs about the doubts that I was having about my D&D idea.
So, as I say in my blog, I tried the brainstorming process again but without limiting myself to what I thought I could film. Here is the list that I came up with.
-
Camera Movement in films
-
Comedy in films
-
Technology and equipment
-
Studio Ghibli
-
Hats – particularly trilbies
-
Waistcoats
-
Owls
-
Fight scenes in movies
-
Jamboree (World Scout Jamboree last summer, West Virginia, 45.000 scouts from around the world)
-
Nintendo Switch
-
The Legend of Zelda: Breath of the Wild (game on the switch)
-
Star Wars
-
Marvel
-
Minecraft
-
Lego
-
Brecon Beacons (Camping there)
-
Mission 00 Bucks (a County Jamboree May last year, about 4000 scouts, I did videoing and manned a crane camera for the main stage bands)
-
D&D (the fantasy role playing quest game Dungeons and Dragons)
-
Critical Role (D&D game run by Matt Mercer, streamed on Twitch)
-
Steam Trains
-
Board games
-
Space
-
Camping
I realised that most of the ideas I had had in Section 1 included camera movement in some shape or form. Even the Camping in the Woods shots that I describe above considers the idea of camera movement in that the shots that I described DELIBERATELY chose NOT to move the camera for that sequence of shots. I could have had the idea to use different types of shots e.g. long shot of him looking at the tree then a mid-shot of him trying to climb the tree etc but my idea for that sequence was very much a sequence of shots with the camera stationary and in the same position to get the effect that I wanted, i.e. short passing of time and comedy value.
And camera movement was the main premise behind the chase scene that I had originally settled on, to explore and see how different camera movement can add realism, professionalism and emotion to scenes.
As soon as I started thinking about camera movement it seemed by far and away the best option. And whereas I couldn't see in my mind what the finished product for the D&D idea would have looked like, I have loads of ideas for where I could go with the topic of camera movement.
So, my FMP idea is now chosen.
Initial Ideas - Problem Solving
I could see a potential problem with my idea. It would be very easy to let this just become another YouTube video containing lots of different camera movements from films, with comments about them. I was very determined that I didn’t want that to happen. But how to solve this problem and stop that happening?
In problem solving, I started to come up a few possible solutions.
-
I could find behind the scenes clips, sync them up to the clips that they were behind the scenes of, and show these on the screen at the same time as the main clips. BUT although it is interesting seeing behind the scenes footage, there are already several videos on YouTube that do that too, so it wasn't really solving the problem.
-
I could focus on finding lots of different directors and/or cinematographers talking about why they use camera movement in their films. But this didn’t seem the right approach either.
I tried to analyse why neither of these seemed to solve the problem, and I realised that the problem was that neither was using footage shot by me, and they both had similarities to my podcast project earlier in the year. In my podcast I used lots of still images and only a few moving images, so using film clips would be developing things further, however, much as I enjoyed making my podcast, I felt I wanted to move my FMP on considerably further. The skills I learnt when making my podcast would be useful here, since I realised that I did want to include some clips of films, and also to sync up some behind the scenes footage of camera movement. However, I realised that I wanted to focus at least half my film on footage that I had shot myself. I knew this to be the case, but I spent some time analysing my reasons why, to be sure that it was the best decision.
This analysis revealed a number of reasons:
-
Firstly, the obvious one that the majority of the YouTube videos that I had researched were clips and behind the scenes clips edited together and I didn’t want to just repeat what had already been done.
-
Secondly, I wanted my FMP to have added challenge layers on top of the ability to combine and edit clips together. I like editing and feel that it is one of my strengths, but I wanted this film to have more than that.
-
I also like doing filming. I especially like setting up shots and getting it just as I want it, and directing the cast and crew. But I am aware that just because I like doing something, it isn't a good enough reason in itself to put it in my film. I need to focus on what is going to make the film the best that I can make it, and do what is appropriate, not just what I like doing.
-
But a difference in filming this time, compared to my other shoots is that I am very restricted in who to film, due to the coronavirus lockdown. At the initial briefing, my tutor Tom had suggested that I could use my parents in front of the camera. I wasn't sure about this, and to be fair, neither were my parents. They were very happy to crew for me, but neither of them really was comfortable performing in any way.
So, that only left me, to be both in front of the camera and behind it. I can’t say that I felt particularly comfortable in front of the camera either, but this would certainly add the extra layer of challenge that I was after, because it is more challenging trying to direct everything whilst also effectively starring in ti.
So, my analysis confirmed to me that me filming over half of what is in my video is the right way to go for these many reasons.
Next question was what to film me doing. An obvious part is for me to do some of the narration to camera, to mix with the voice over parts I had thought of doing. But this in itself is not enough.
And then I remembered one particular YouTube video about "8 Cinematic Camera Moves For Video" (The Slanted Lens, 2018) that I had watched for research.
​
https://www.youtube.com/watch?v=6_p93J3OwfU&feature=youtu.be
It was 2 men sat at a table and a 3rd man talking to camera and showing 8 different ways that he could use fancy equipment, a C-Pan Arm, to film the 2 other men, using camera movement. You got to see the footage that he was shooting and also how he was shooting it. This gave me the idea of what I called "filming me filming". I don't have the fancy equipment that he had, and he got very technical in his explanations since it is really a "how to do" video, not what I am aiming at, but I thought that instead I could film a scene, the same scene, in 3 different ways each way using a different type of camera movement, and then compare the different effects that the 3 different ways produced.
This seemed to meet the criteria of me filming and also me being in the film but not just talking to camera. It gives variety to what is on screen, and I believe it is also unique and hence a USP since I haven’t seen any videos of anyone actually filming the same scene three different ways. And I liked the idea of using a second camera to film me filming. I had experimented using 2 cameras in my Neo Noir project to get 2 different camera angles for the same shot. I liked the idea of taking it a step further and having one camera shooting the other, and then, after showing the edited scene, being able to show both pieces of footage on screen at once, i.e. synced up to show me filming.
I was pleased with this idea. What had started out as a possibly theoretical problem solving had actually resulted in a much more focused and original design for my FMP film. I feel that this result came about as a result of me analysing the potential problem and reflecting on where my analysis took me.